Our history

The AAPI Network grew out of more than a decade of community work in Chicago. It did not start as a charity. It started as a list of events nobody else was publishing.

Where it began

In 2010, finding out what was happening in Chicago's AAPI communities required knowing someone. A lunar new year celebration in Armour Square, a Filipino heritage night on the Northwest Side, a Vietnamese food festival off Argyle Street, a South Asian arts showcase on Devon Avenue: each of these existed, each drew real crowds, and none of them appeared anywhere a person outside that specific community would look.

The work started as the Chicago Asian Network, a grassroots community calendar built to solve exactly that. It was not sophisticated. It was a list, maintained by volunteers, of events that deserved to be findable. What made it valuable was not the technology but the labor: someone had to actually call organizers, verify dates, and keep the thing current, week after week, with no funding and no institutional backing.

Over the following decade that calendar became a resource people relied on. At its peak it featured more than 120 local events a year and promoted hundreds of organizations, artists, and cultural groups, none of whom paid anything for it. Organizers began submitting events before they announced them anywhere else. The calendar had become, informally, the place AAPI Chicago published itself.

Timeline

2010

A community calendar begins

The work starts as the Chicago Asian Network, a grassroots calendar built so AAPI events have a permanent, public place to be found. Run entirely by volunteers and paid for out of pocket.

2010–2019

A city-wide resource

The calendar becomes a trusted resource across Chicago, featuring more than 120 local events annually and promoting hundreds of organizations at no cost. Organizers begin submitting events as a matter of routine.

2020–2023

The need outgrows the listing

Listing an event was never the whole job. Organizations needed help reaching audiences, telling their stories, and sustaining visibility year round, and almost none of them had a budget for it. We begin providing that support directly rather than only publishing dates.

2024

Recognized as a public charity

The Internal Revenue Service grants 501(c)(3) public charity status effective December 2024 under EIN 33-2987062. For the first time the work can be funded through tax-deductible contributions rather than personal expense.

2025

The programs take shape

The work is structured into four core programs: pro bono and low-cost marketing, media and promotion, digital storytelling, and cross-cultural bridge building. Services open to AAPI-serving organizations nationwide rather than Chicago alone.

2026

Building a national network

Headquartered in Chicago, we begin developing local chapters in Boston, Houston, Oklahoma, and Seattle, and launch Off The Menu, a chef-hosted dinner series built to put organizations in the same room. The goal is a standing network where member organizations amplify one another.

What the history taught us

Three things became obvious over fifteen years, and all three are built into how the organization operates now.

Publishing is not enough

A calendar makes an event findable to people already looking. It does nothing for the far larger group who would have attended if they had known. Listing was necessary and insufficient, which is why the organization eventually had to start producing promotion rather than just hosting information.

Trust is local and cannot be shipped

Organizations submitted events to the Chicago calendar because they knew the people running it. That relationship did not transfer automatically to other cities, and attempts to expand by simply extending the platform did not work. Chapters are led by local people for this reason specifically.

Informal cannot outlive its founders

Fifteen years of volunteer work built something real and left it entirely dependent on a handful of individuals continuing to show up. Incorporating as a 501(c)(3) with a board, a budget, and public filings was about making the work survivable, not about prestige.